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Multimedialization of news agency production focused on infographical service
Zuska, Adam ; Trunečková, Ludmila (advisor) ; Slanec, Jaroslav (referee)
In the era of digitalization and internet, news agencies are attempting to use all available instruments in the best possible quality to provide information effectively while stressing out accuracy, clarity and understandability. Especially for this reasons, multimedia service forms an integral part of news agency production. Using the advantages of various tables, graphs, diagrams or multidimensional animation, readers can be easily informed about current events and affairs and they are able to watch those events that are unlikely to be captured on a video. This work deals with the process of multimedialization of news agency production with examples of infographical service. In theoretical part, it ruminates over following aspects - the term of multimedialization, activity and functioning of news agencies and production of effective information graphics. In its practical part, it describes the production of infographics in the Czech News Agency, both in present and in history. The quantification of infographical production in years from 1992 to 2011 and its interpretation is also offered in this work.
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Conversion and Artistic Creation of Magdalena V.
LENERTOVÁ, Šárka
This Bachelor thesis Conversion and Artistic Creation of Magdalena V. deals with the change of artistic expression of the Czech graphic artist Magdalena V., in a close connection to her religious conversion to the Catholic faith. The first part summarizes the theoretical knowledge of the psychology of religion. It introduces basic definitions and concepts of religion in relation to a religious conversion. In the second part, the author deals with the psychological analysis of Magdalena V.'s typical work through her life, which is supported by numerous photographs. Using the approach of rožnovská school, the author attempts to interpret this artwork on a hypothetical level, focusing on the M.V.'s life and artistic paralel before and after her conversion. The author draws on Magdalena V.'s testimonies about her life which bring light on the intention and context in her art. Related to the author's identification with Magdalena V.'s work, which later became apparent, this paper evolved further into identifying these moments and thus the potential risks inherent in author's own therapeutic work.
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